Jeanne Moreau Casino
- French actors Jeanne Moreau and Roland Bertin star in 'Lulu' at the Theatre de l'Athenee. The play was written by Frank Wedekind. Mark Warner, D-VA., and eleven other freshmen senator during a press conference with the other freshman Democrats to introduce a package of.
- A lot of people think he s scum and think he deserves to lose his career over it, but no one is actually bally wulff online casino going to physically harm him. Directed by william fraker, written by david zelag goodman lukas heller, stars lee marvin, jeanne moreau, jack palance, jim davis and mitch ryan.
- Banana Peel (1963) was a popular comedy with Jeanne Moreau. Even more successful was the action-adventure tale That Man from Rio (1964), directed by Le Broca - a massive hit in France, and popular overseas as well. A 1965 profile compared him to Humphrey Bogart and James Dean. It stated Belmondo was: A later manifestation of youthful rejection.
- Jeanne Moreau Casino Royale
- Jeanne Moreau Chanson De La Seine
- Jeanne Moreau Film Casino
- Jeanne Moreau Son
Slideshow
Before we meet Moreau’s Jackie, we are introduced to Jean Fournier (a cool and effective Claude Mann), a Parisian bank employee. He hasn’t given gambling a thought until a friend takes him along to.
BAY OF ANGELS
Jeanne Moreau Casino Royale
12:30 4:50 9:15
Through Thursday, September 7
Directed by Jacques Demy
Jeanne Moreau Chanson De La Seine
Starring Jeanne Moreau
(1963) “I didn’t think women like you existed anymore.” A couple of hours at a casino at the behest of copain Paul Guers begins as just a Saturday diversion for uptight bank clerk Claude Mann, but after he wins, his vacation gets diverted to Nice’s Baie des Anges and a seat at the roulette table next to a platinum blonde Jeanne Moreau. And as they rollercoaster from scrounging for change to hotel suites, cars, and couture, and back again, amid reds, blacks, pairs, impairs, manques, passes, transversales á cheval, carrés and 35-1 shots, it seems life itself (“Here or Paris, it’s all the same. You have to be somewhere.”) is just a game of chance for Moreau – who’s already shed husband, child, and wealth for the table. Demy’s rarely-screened second film is a triumph of style, from Jean Rabier’s mobile camerawork amid sunsplashed Riviera location shooting, to Moreau, resplendently Bette Davisish in white lacy bustier (Moreau at the costume meeting: “Well, if that makes Jacques happy…”), to her entrance flashing across a succession of mirrors in the penultimate shot. DCP. Approx. 84 min.
Reviews
Jeanne Moreau Film Casino
“What would this film be like without Jeanne Moreau? The picture is almost an emanation of Moreau, inconceivable without her.”
– Pauline Kael, The New Yorker
Jeanne Moreau Son
“Of all the performances that have made Jeanne Moreau revered among actresses, her work in Bay of Angels is one of the most compelling and one of the least seen... A mesmerizing, compulsively watchable performance, one of the few films roles you literally hold your breath watching.”
– Kenneth Turan, LA Times
“[Moreau] smolders, pouts, flounces, rages, giggles, suffers and claws, in an exhibition of cinematic personality reminiscent of Dietrich in her best Devil Is a Woman days. With unfaltering artistry, she transforms Demy’s intimate essay into a glittering vehicle to display her four-octave dramatic range.”
– Eugene Archer, The New York Times
“An early chapter of Demy’s courtship with the provincial France of his youth, with the most bewitching generation of French actresses, and with movies.”
– Michael Atkinson, The Village Voice